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 1. Earliest Influences from Paul Robson to Elvis Presley
 2. Lonnie Donnegan and Skiffle
 3. Then Along Came Hendrix
 4. Country Blues curriculum
 5. Angry young Them and Van Morrison
 6. Hendrix, The Who and beyond
 7. Back to Van Morrison, Captain Beefheart, Led Zeppelin and oblivion
 8. Busted, Broke but not Beaten!
 9. Taj Mahal, Ry Cooder and The Staple Singers
 10. Roots, Rock, Reggae
 11. Al Green and Bobby Womack
 12. New Orleans, The Meters, Dr John, The Neville Brothers
 13. Brian Eno, Robert Fripp, David Sylvian
 14. The Sum of our Influences
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Directions and Influences - chapter 13

 

Brian Eno, Robert Fripp, David Sylvian

When I recorded Holywell ’92, Gus Til and Simon Polinski (Producer and Engineer) introduced me to a lot of music I had never really listened to that much. They had been in a band together called Beargarden. It was like an introduction to the ‘Dark side’ for me as I had always been into the roots/blues/soul/gospel/reggae/funk side of things and I had never gotten into all that British arty/pop/glam/avant-garde/rock kind of thing.

It always sounded to me like blokes singing with something painful wedged up their arse and funny haircuts to match. But I remained open and learnt a great deal. I heard David Sylvian, Rain Tree Crow, Talk Talk, Brian Eno, Robert Fripp, Michael Brooks to name a few. Daniel Lanois of course was a great ‘lynchpin’ in this musical mix and worked with some of these people like Brian Eno but yet himself, living in New Orleans, worked with bands and artists such as the Neville Brothers. I find this kind of cross-pollination creatively stimulating.

NEXT: chapter 14 - The Sum of our Influences


 

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